Find the environment.
Use AI-assisted workflows to develop plate imagery and explore environments for the volume.
Real craft.
Virtual worlds.
From supervising on the world’s largest LED volume to capturing seamless 360° driving plates and creating AI-generated environments.
Step inside the volume ↓Drag to orbit · Arrow keys to rotate · + / − to zoom
Illustrative stage with a simulated 360° driving plate. Not production footage or a scale model.
01 / VIRTUAL PRODUCTION SUPERVISION
I supervised virtual production on the world’s largest LED volume at NantStudios, Docklands Studios Melbourne.
My work brings together the stage, the camera and the image: supporting ICVFX shoots, leading the compositing arm of the Virtual Art Department, and preparing environments that hold up in camera.
From 2.5D set extensions to driving scenes, I connect on-set decisions with the compositing craft behind the final pixel.
Inside the world’s largest volume · Docklands Studios ↗
ON LOCATION / 360° CAPTURE02 / 360° DRIVING PLATES
I shoot and prepare seamless 360° driving plates that bring the road onto the stage.
High-resolution capture, stable movement and careful plate preparation turn a real location into a world around the car. My compositing background informs the shoot from the start, with attention to the horizon, continuity, colour and how the image will play on the volume.
Explore my plate capture work ↗03 / AI-GENERATED PLATES
I’ve worked with AI-generated plates for LED volumes, combining generative tools with a compositor’s eye for the final image.
Use AI-assisted workflows to develop plate imagery and explore environments for the volume.
Bring the output into the comp. Refine continuity, perspective and colour, with the shot and foreground in mind.
Prepare imagery for playback and judge it through the camera, alongside the lighting, lens and practical set.
NEXT / YOUR VIRTUAL PRODUCTION
Let’s buildVP supervision. 360° capture. AI-generated plates.
From the first plate to the final pixel.