VFXLet’s talk ↗
FROM THE FIRST PLATE TO THE FINAL PIXEL

OSCAR
KNOTT.

ICVFX Plate Capture, Compositing and
Virtual Production Supervisor

Real-world craft. Otherworldly possibilities.

MELBOURNE, AUSTRALIA / WORKING WORLDWIDESCROLL TO EXPLORE ↓

01 / WORLD CLASS EXPERIENCE

Career Map.

World class experience across continents.
Explore the studios behind the work.

09 STUDIO STOPS / 05 CITIES / 04 CONTINENTS
World map
GLOBAL PERSPECTIVE37.81° S / 144.96° E
Bringing the world into focus…

AUSTRALIA / OCEANIA

Melbourne.

DRAG TO ORBIT · + / − TO ZOOM
City-level locations from my studio experience. Singapore represents the former ILM facility.Earth textures: Solar System Scope · CC BY 4.0 · resized

02 / SELECTED WORK

A few familiar
worlds.

From galaxies far away to stories
grounded in the real world.

View full filmography ↗

A selection of film and television contributions. Select a poster to explore the credit.

Oscar on location with a Sony cinema camera and wide-angle lens.ON LOCATION / IN THE IMAGE ↗

SPECIALIST FOCUS / PLATE CAPTURE

Real locations.
Built for the volume.

High-resolution plate capture and compositing for LED volumes, driving plates and VFX. A hands-on approach from the location shoot to the final pixel.

Explore Plate Capture ↗

03 / IN FOCUS

Beyond
the frame.

A closer look at the technology
bringing new worlds onto the set.

Featured coverage · A Current Affair / NineWatch on YouTube ↗

04 / BEHIND THE WORK

On set.
In the comp.
All in.

14+

YEARS OF HIGH-END
COMPOSITING EXPERIENCE

I’m Oscar. I connect the craft of compositing with the possibilities of virtual production.

Since 2011, I’ve worked across high-end film and television, from on-set production to the final image. My experience spans Industrial Light & Magic, DNEG, Framestore, Animal Logic, NantStudios and Weta Digital, with work taking me through London, Singapore, Sydney and Melbourne.

My focus is on making ambitious imagery work in practice: ICVFX plate capture, 2.5D set extensions, driving plates, colour science and final-pixel compositing. At NantStudios, I supervised virtual production and led the compositing arm of the Virtual Art Department in Melbourne.

I bring a hands-on approach to both the image and the team behind it, integrating Nuke and ComfyUI-assisted workflows into production, supervising artists, and teaching through AFTRS, ACCESS: VFX, university lectures and private mentorship.

ICVFX & plate captureVirtual productionNuke compositingColour science2.5D environmentsTeam leadership

THE PATH SO FAR

2026 — PRESENT

Weta Digital

Senior Compositor

2023 — 2026

NantStudios

VP & Compositing Supervisor · LA / Melbourne

2020 — 2023

Industrial Light & Magic

Compositor & VP TD · Sydney

2019 — 2020

Framestore / ILM

Compositor · London

2011 — 2018

The foundations

DNEG · Animal Logic · ILM Singapore · Cutting Edge · Orb VFX

05 / THE CREDIT ROLL

Every story.
Every detail.

PRODUCTIONCONTRIBUTION / STUDIO

Credits compiled from Oscar’s CV and selected project list. Studio roles describe the relevant period of employment; individual production responsibilities vary.

NEXT / YOUR PRODUCTION

Let’s make
the impossible.↗
oscarknott@hotmail.com ↗

From plate capture to the final pixel.
Let’s talk about what’s next.

Open on YouTube ↗