VFXLet’s talk ↗
← OSCAR KNOTT / OK VFX

LOCATION → LED VOLUME → FINAL PIXEL

PLATE
CAPTURE.

Real locations.
Built for the volume.

High-resolution capture and compositing for LED volumes, driving plates and visual effects.

Explore the approach ↓
OSCAR KNOTT / CAPTURE & COMPOSITINGSCROLL TO EXPLORE ↓

01 / FROM THE FIELD TO THE FINAL IMAGE

Capture with
the comp in mind.

I bring high-resolution plate capture and compositing together for LED volumes and VFX.

My experience spans real-world environment capture, running driving-plate shoots and preparing imagery for virtual production. I understand the plate as both a location image and part of the final shot.

From a single-lens, stitchless camera setup to the image playing on the volume, I connect the capture decisions with the compositing work that follows.

HIGH-RESOLUTION PLATESLED VOLUMES / ICVFXDRIVING PLATESVFX COMPOSITING

02 / PRACTICAL EXPERIENCE

On location.
Ready for the stage.

One connected approach to
capture, compositing and playback.

01

Driving plates.
A world in motion.

Experience running driving-plate capture and compositing the resulting footage for LED volumes and VFX. I bring an understanding of movement, perspective and the final shot to the capture process.

Vehicle-based captureDriving-plate runsCompositing for playback
02

The real world.
At high resolution.

Hands-on experience capturing high-resolution environments for LED volumes and visual effects. Familiar with Entaniya lenses and single-lens, stitchless camera workflows, with compositing considerations carried from the location into post.

Environment platesEntaniya lensesSingle-lens captureStitchless workflows

03 / A CONNECTED WORKFLOW

From capture
to the volume.

Explore each part of the process.

ON LOCATION / IN MOTION

The image starts
in the field.

High-resolution environment plates and driving-plate runs, with camera and lens choices considered alongside the needs of the final shot.

LOCATION CAPTURE · DRIVING PLATES · SINGLE-LENS WORKFLOWS

04 / CAMERAS & OPTICS

Know the tools.
See the image.

Camera experience and lens familiarity
for high-resolution plate capture.

01 / CAMERA

Sony VENICE 2

↗
02 / CAMERA

ARRI ALEXA 35

↗
03 / CAMERA

Blackmagic
URSA Cine 17K 65

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04 / OPTICS & WORKFLOW

Entaniya lenses

Single-lens, stitchless capture

NEXT / YOUR PLATE SHOOT

Let’s capture
your next world.↗
oscarknott@hotmail.com ↗

Plate capture. Compositing. Virtual production.
From the first plate to the final pixel.