VFXLet’s talk ↗
← OSCAR KNOTT / OK VFX

ON SET / IN CAMERA / IN THE IMAGE

VIRTUAL
PRODUCTION.

Real craft.
Virtual worlds.

From supervising on the world’s largest LED volume to capturing seamless 360° driving plates and creating AI-generated environments.

Step inside the volume ↓

THE VOLUME / INTERACTIVE STAGE

360° PLAYBACK · REAL-TIME EXPLORATION
Building the volume…
FOREST DRIVESTAGE VIEW
THE WORLD MOVES.The car stays on set.
DRIVING ENVIRONMENT

Drag to orbit · Arrow keys to rotate · + / − to zoom

Illustrative stage with a simulated 360° driving plate. Not production footage or a scale model.

01 / VIRTUAL PRODUCTION SUPERVISION

Big canvas.
Exacting craft.

I supervised virtual production on the world’s largest LED volume at NantStudios, Docklands Studios Melbourne.

My work brings together the stage, the camera and the image: supporting ICVFX shoots, leading the compositing arm of the Virtual Art Department, and preparing environments that hold up in camera.

From 2.5D set extensions to driving scenes, I connect on-set decisions with the compositing craft behind the final pixel.

Inside the world’s largest volume · Docklands Studios ↗
A stabilised cinema camera mounted above a vehicle for Oscar’s driving-plate capture work.ON LOCATION / 360° CAPTURE

02 / 360° DRIVING PLATES

A perfect drive.
Built for the shot.

I shoot and prepare seamless 360° driving plates that bring the road onto the stage.

High-resolution capture, stable movement and careful plate preparation turn a real location into a world around the car. My compositing background informs the shoot from the start, with attention to the horizon, continuity, colour and how the image will play on the volume.

Explore my plate capture work ↗

03 / AI-GENERATED PLATES

New worlds.
The same eye.

I’ve worked with AI-generated plates for LED volumes, combining generative tools with a compositor’s eye for the final image.

01 / GENERATE

Find the environment.

Use AI-assisted workflows to develop plate imagery and explore environments for the volume.

02 / REFINE

Make the image hold up.

Bring the output into the comp. Refine continuity, perspective and colour, with the shot and foreground in mind.

03 / INTEGRATE

Bring it onto the stage.

Prepare imagery for playback and judge it through the camera, alongside the lighting, lens and practical set.

NEXT / YOUR VIRTUAL PRODUCTION

Let’s build
your next world.↗
oscarknott@hotmail.com ↗

VP supervision. 360° capture. AI-generated plates.
From the first plate to the final pixel.