I bring high-resolution plate capture and compositing together for LED volumes and VFX.
My experience spans real-world environment capture, running driving-plate shoots and preparing imagery for virtual production. I understand the plate as both a location image and part of the final shot.
From a single-lens, stitchless camera setup to the image playing on the volume, I connect the capture decisions with the compositing work that follows.
One connected approach to capture, compositing and playback.
01
Driving plates. A world in motion.
Experience running driving-plate capture and compositing the resulting footage for LED volumes and VFX. I bring an understanding of movement, perspective and the final shot to the capture process.
Vehicle-based captureDriving-plate runsCompositing for playback
02
The real world. At high resolution.
Hands-on experience capturing high-resolution environments for LED volumes and visual effects. Familiar with Entaniya lenses and single-lens, stitchless camera workflows, with compositing considerations carried from the location into post.
I bring my compositing experience to preparing plates for LED volumes and VFX, working with image integration, colour and the visual continuity between captured footage and the production.
PLATE PREPARATION · COLOUR · IMAGE INTEGRATION
ON THE VOLUME / IN THE FINAL IMAGE
From real location to virtual production.
Capture and compositing experience connected to LED-volume production. I understand how the plate needs to support the foreground action, driving scene or wider VFX shot.
LED VOLUMES · ICVFX · FINAL-PIXEL COMPOSITING
OKVFX
CAPTURE / COMPOSITE / CREATE
04 / CAMERAS & OPTICS
Know the tools. See the image.
Camera experience and lens familiarity for high-resolution plate capture.